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trash, rubbish, poor works

by KAZUYA ISHIGAMI

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1.
God of a stone and God of dog 09:36
2.
Otera de Banzai 07:53
3.
Story of Assaji 09:32
4.
mu-seki-nin ~irresponsibility~ 06:20
5.
Zarur cradlesong 07:56
6.
Zarur quartet 04:06
7.
Devadata's childhood 04:46
8.
fu-an-tei 08:00
9.
Victim is attacked from assailant protection 08:56
10.
God of a stone and God of dog ver2 04:51

credits

released May 1, 2009

trash, rubbish, poor works
KAZUYA ISHIGAMI

1. God of a stone and God of dog 9'36
2. Otera de Banzai 7'53
3. Story of Assaji 9'32
4. mu-seki-nin ~irresponsibility~ 6'20
5. Zarur cradlesong 7'56
6. Zarur quartet 4'06
7. Devadata's childhood 4'46
8. fu-an-tei 8'00
9. Victim is attacked from assailant protection 8'57
10. God of a stone and God of dog ver2 4'51

NEUCD-002
MAY.2009



-----------------------------------------------------
infos

1. God of a stone and God of dog 9'36

The date of the composition:
10/Jun/2004

Description of the work:
God of a stone and God of dog
A long time ago, it believed in God of a stone and God of dog .
They were called "DI-GAMI".
However, they were exterminated by technology now.
Nobody believes them now.


2. Otera de Banzai 7'53

The date of the composition:
Dec/2005
Sounds materials from "Oto-no Enniti/SOUND BAZAAR VOL.3" at Senkoji in 30/Jun/2005.
Program Note (Please limit to 150 words):
I played in the Temple. I calmed down. I sang many no means words for Buddha, and Many "Banzai" for Buddha.


3. Story of Assaji 9'32

The date of the composition:
Feb/2006

Description of work:
Assaji was pupil of the Buddha.
We must know about his great story.
And His great personality -- very strong "modesty"..


4. mu-seki-nin ~irresponsibility~ 6'20

The date of the composition:
Sep/2005

Description of work:
We need responsibility.
responsibility of sounds.
responsibility of music.
responsibility of life.
responsibility of death.
responsibility of peace.


5. Zarur cradlesong 7'56

The date of the composition:
3/Mar/2005

programme notes / description:
Zarur is just cheap FEED-BACK system.
small speakers + small piezo make feed-back sounds and very simple processed from "MAX/MSP". Original sound materials from Zarur live performance in 2002~2004.
This work is composed from asymmetrical pulse and noise rhythm.
I think , Almost digital sounds(new wave electro-acoustic sounds) is no-passion, no-emotions. but, Zarur Feed-Back have passions and emotions. Zarur Feed-Back is like a life. Sounds grow up gradually.


6. Zarur quartet 4'06

The date of the composition:
27/Feb/2005

description:
Original sound materials from Zarur live performance in 2002~2004.
This work is composed from 4 sounds layers.


7. Devadata's childhood 4'46

The date of the composition:
Feb/2006

description:
Devadata was pupil of the Buddha.
We must know about his story...
I don't know ,now he is in heaven or not..


8. fu-an-tei 8'00

The date of the composition:
Feb/2005


9. Victim is attacked from assailant protection 8'57

The date of the composition:
8/Jun/2006

Description of the work:
Mad,
Human rights protection,
Contradiction,
Tragedy from the tragedy,
Where is the god?,
peacefully sleep


10. God of a stone and God of dog ver2 4'51

The date of the composition:
Feb/2005

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KAZUYA ISHIGAMI image

KAZUYA ISHIGAMI Japan

KAZUYA ISHIGAMI, is composer, sound designer, sound performer and sound engineer born in 1972, in Osaka/JAPAN.
His pieces were performed at DeutschlandRadio(Germnay) ,WDR(Germany), FUTURA(France), Radio Saarbruecken(Germany), ICMC(2015_USA/TEXAS) and so on. He has an independent label “NEUS-318”. Also performed: BILLY? (electro noise group) and Daruin (Ambient Noise solo Unit). ... more

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